Carmina Burana (Saturday)
1 Indian Ave, Venice, FL 34285
Sarasota Contemporary Dance, Sarasota Young Voices and Venice Symphony’s percussion section breathe new life into Carl Orff’s Carmina Burana. SCD Artistic Director Leymis Bolaños Wilmott’s strikingly original choreography, commissioned by Choral Artists in 2017, illuminates the dramatic and well-known score. Soloists are Catherine Wethington, soprano; Luis González, baritone; and John Kaneklides, tenor.
Andrew Lapp and Michael Stewart are featured pianists and the Venice Symphony percussion section will dazzle with three separate percussion selections. This is a co-presentation with the Venice Institute for Performing Arts.
Click the button below to purchase Carmina Burana tickets directly from the Venice Performing Arts Center ticketing system. A new window will open for that transaction. Return to the Choral Artists website to purchase tickets for our other performances.
Meet the Soloists
Catherine Wethington, star of a new generation of American coloratura sopranos, has dazzled audiences in the United States and Europe for her artistry, delicate pianissimi, and expansive range. In January, Ms. Wethington was a finalist and winner in the Concorso Lirico Internazionale Gigli-Franci, in Rome Italy. Comfortable in comedic and dramatic roles she has triumphed in leading roles including Gilda, in Verdi’s Rigoletto, Zerlina, in Mozart’s Don Giovanni, Eurydice, in Offenbach’s Orpheé aux enfers, Suor Genovieffa, in Puccini’s Suor Angelica, Olympia, in Offenbach’s Les Contes d’Hoffmann, and Monica, in Menotti’s The Medium. This season Ms. Wethington debuts as a featured soloist with the La Musica Festival in Sarasota, Florida, and will sing the role of Amina, in Bellini’s La Sonnambula with Opera Niagara. In Italy, she will sing the role of Medora, in Verdi’s Il Corsaro.
This past summer Ms. Wethington made her London debut in Cadogan Hall as a guest artist with the London Bel Canto Festival. In addition, Ms. Wethington has performed Strauss’ Brentano Lieder and Milhaud’s Quatre Chansons de Ronsard, given lecture recitals, chamber recitals, and has premiered new works for voice and piano. In 2015, she debuted on the Kennedy Center Concert Stage as a soprano soloist in Carl Orff’s Carmina Burana and with the Choral Arts Society of Washington in May of that year. She also performed Carmina Burana with the Choral Artists of Sarasota in 2018. In July 2017, Ms. Wethington was a soloist in a televised concert celebrating Carlo Bergonzi, in his hometown Busseto, Italy and was a highly acclaimed soloist in concert under the baton of the great Maestro Richard Bonynge.
Praised for his outstanding musicianship, magnetic stage presence and smooth, flexible voice, Luis González enjoys parallel careers as conductor and baritone soloist in a variety of opera, musical theatre and concert repertoire. He currently serves as Associate Conductor for Choral Artists of Sarasota and has performed throughout the United States with companies such as Opera San José, Opera Tampa, St. Petersburg Opera, Bronx Opera, Utopia Opera, Crested Butte Music Festival, Astoria Music Project, The Florida Orchestra and The Metropolitan Opera Guild.
During the 2019-20 season, González returns to Opera Tampa for all mainstage productions. He sings Samuel in the company premiere of Gilbert and Sullivan’s The Pirates of Penzance and reprises his role as Assistant Conductor for new productions of Carmen and Aïda. Additional credits include Assistant Conductor for Les pêcheurs de perles and La bohème, Counsel for the Plaintiff in Trial by Jury and The Gardener in the world premiere of Anton Coppola’s Lady Swanwhite.
Recent engagements include soloist for Bernstein’s Broadway (music from Candide, On the Town, Trouble in Tahiti, West Side Story, Wonderful Town) at First Coast Opera; Assistant Conductor/Chorus Master (Pagliacci, Dialogues des Carmelites, Rachel Portman’s The Little Prince) at Savannah Opera; the title role in Signor Deluso and Ben in The Telephone with Sarasota Festival of Vocal Arts; Ping in Turandot, Harlekin in Ariadne auf Naxos, Grégorio in Roméo et Juliette and Chorus Master (Norma, West Side Story, Roméo et Juliette, Pagliacci, Il barbiere di Siviglia and Turandot) at St. Petersburg Opera.
A native of the San Francisco Bay Area, González earned vocal performance degrees at San José State University (Bachelor of Music) and the University of Nevada, Las Vegas (Master of Music). He is an alumnus of several opera young artist programs, including those of St. Petersburg Opera, Crested Butte Music Festival, Sherill Milnes’ VOICExperience and the American Institute of Musical Studies in Graz, Austria. More info: www.lgbaritone.com
Hailed by Opera News as “the very picture of youthful optimism and potential,” John Kaneklides’ “tenor voice cuts through all others with its richness and warmth” (Broadway World). This season Mr. Kaneklides made his Carnegie Hall debut performing World Premieres of orchestrated works by renowned composer Georgia Shreve and will be featured on the upcoming recording. Among his many concerts this season, he returned to his home state as a soloist in Handel’s Messiah with the Asheville Symphony Chorus. He recently reprised three of his now-signature roles, Alfredo in La traviata, the title role in Les contes d’Hoffmann, and Rodolfo in La bohème. Additionally, he joined Gulfshore Opera as a Professional Artist-In-Residence singing The Duke of Mantua in Rigoletto, Camille in The Merry Widow, and the title role in Faust in concerts throughout the region. This season he also premiered as the title role in a new English translation of the The Tales of Hoffmann, with Skylight Music Theatre. Mr. Kaneklides’ recent engagements include The Guide turned Narciso Borgia in the world première of Blumenfeld’s Borgia Infami with Winter Opera St. Louis, Laurie in Adamo’s Little Women, Micah in Floyd’s Slow Dusk, Villers in the New York première of Floyd’s Prince of Players, Ralph in H.M.S. Pinafore, Nanki-Poo in The Mikado, Henrik in A Little Night Music, and Lt. Joseph Cable in South Pacific. His concert appearances include the tenor soloist in Mendelssohn’s Elijah and Handel’s Messiah and most recently, Orff’s Carmina Burana with The Florida Orchestra.
Mr. Kaneklides has participated in the young artist programs of Bel Canto at Caramoor and Opera North. He is an award-winner, receiving honors from several prestigious vocal competitions, such as The International Liederkranz Foundation Competition, the Metropolitan Opera National Council Auditions Arkansas & South Carolina District, The Orpheus National Competition, The Opera Guild of Charlotte Competition, and The Nico Castel International Master Singer Competition.
Leymis Bolaños Wilmott
Leymis Bolaños Wilmott is the Founder and Artistic Director of Sarasota Contemporary Dance. Recently featured in Sarasota Scene Magazine’s Arts & Cultural Issue: Ladies of the Arts, Leymis has been the recipient of numerous artistic achievement and leadership awards throughout her career. She received the esteemed Dance Magazine award for Southeast Best Choreographer and was listed in Sarasota Magazine as one of the Top 28 Most Powerful People in the Arts. Her 80+ dance works have included collaborations with artists and organizations of various disciplines: Sarasota Orchestra, Choral Artists of Sarasota, Westcoast Black Theater Troupe, Asolo Rep, Salvador Dalí Museum, Kaleidoscope, John and Mable Ringling Museum, Art Center of Sarasota, Stephen Miles of New Music New College, composer Eduard Cosla, percussionist Scott Blum, Mark Dancigers of NOW Ensemble, and the multi-talented Francis Schwartz. Her works have been performed nationally at the John F. Kennedy Center, Ailey Citigroup Theater in NYC, Colony Theater and Jackie Gleason Theatre in Miami, and internationally in Ramallah, Argentina, and Spain.
Leymis pioneered the Dance and Healing certificate at the University of Florida and holds a Master of Fine Arts in Performance and Choreography from Florida State University. Her research in dance as a healing art form and its ability to harness and foster community building came to fruition in 2006 when she and Rachael Inman founded Fuzión Dance Artists, now Sarasota Contemporary Dance.
Leymis is a professor of dance at New College of Florida, a certified Pilates instructor, and the Lead Dance Instructor at Parkinson’s Place since 2012. She served as Vice President of the Florida Dance Association from 2013-2017, is a member of the Arts and Health Coalition, and is the most sought-after collaborator in Sarasota and Tampa Bay. Her most precious honor, however, is being married to her husband, Kavin, and mother of eight-year-old Charles Edward and two-year-old Valda Elizabeth.
Sarasota Contemporary Dance
Leymis Bolaños Wilmott and Rachael Inman began working together in Florida State University’s graduate program in 2000. Not only did the two share an Arabic heritage, most importantly, they shared a vision to collaborate, create and celebrate through life experiences. They both spent time developing programming for the FSUdanceSARASOTA initiative, and in 2002 Bolaños Wilmott and Inman founded Fuzión Dance, the first professional contemporary dance company in Sarasota. In 2006, they formed Fuzión Dance Artists as a non-profit 501(c)(3) corporation. After a decade of establishing its presence under the continued Artistic Direction of Leymis Bolaños Wilmott, Fuzión Dance Artists became Sarasota Contemporary Dance. The organization felt it was time for a change, and under this new name have become a mainstay arts organization in the region. Learn more SarasotaContemporaryDance.org
The Venice Symphony
The Venice Symphony is a professional orchestra in its 46th season in South Sarasota County. Music Director/Conductor Troy Quinn leads the 80-member orchestra in a series of concerts from November to April at the Venice Performing Arts Center. The Venice Symphony Percussion Ensemble features Symphony musicians Dean Anderson, Gavin Dougherty, Paul Keesling, Dana Kimble, Al Lyman and Jeff Ridgeway.
Sarasota Young Voices
Sarasota Young Voices was founded by Geneviève Beauchamp in 2007 and has quickly grown into one of Florida’s best children’s choruses.
Every week, school-aged singers from Sarasota and Manatee counties meet to sing, to laugh, and to foster a love of music. While building their musical skills, SYV singers learn how to serve their community by performing for a variety of events such as the Sarasota Orchestra, Gloria Musicae, Key Chorale, Belle Canto, and Artist Series Concerts of Sarasota. Currently, Sarasota Young Voices is a Choir-in-Residence at Church of the Palms and performs monthly in one or more of the services. In addition, each summer since the choir was founded there has been a concert tour for the older singers to gain experience performing in festivals and venues both nationally and internationally. Past tour destinations have included Greece, Vancouver, New Orleans, Quebec, Denver, Paris, London, and Dublin. Learn more SarasotaYV.org
Sacrificial Rite – rhythmic and timbral imagery that reflects the pagan ritualistic dance of sacrifice
George Gershwin, arr. Jeremy Clark
Preludes – classic Gershwin signature sound arranged for percussion ensemble
The Doomsday Machine – aurally and visually captivating work that explores a multitude of wood, metal and membraned sounds in an explosively energetic dance, based upon the Star Trek episode
Carmina Burana – Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images